Nadine Jansen Looking Miosotis

HELLO EVERYONE!

Building just opened one of the last boats kiwi jam, I realized I had not posted the recipe and, frankly, I do not want to miss this because of the jams I've done so far, this is surely the richest, I can assure you! Great merit take him kiwis, which are caseritas and it shows a lot. Also you know that fruit comes all together and not let it spoil what is best to keep it and enjoy it all year so ... The recipe is from the blog VANESA SIERRA SWEET I WANT MORE , You can see your recipe HERE

INGREDIENTS:

- 1kg of ripe kiwis peeled
-
800g sugar - juice of 1 / 2 lemon PREPARATION



I made this jam in my pot Gm, but you can do it without problem in the traditional way, in a saucepan over low heat, stirring ...

Peel and cut kiwis into pieces. Weigh them. Will a 750-800g of sugar per kilo of fruit. KITCHEN MENU programmed (with the lid open) in our POT GM and put the fruit and sugar, stir until the sugar dissolves completely. Add the juice of half a lemon, or one if it is small and stir.

Olla and we closed our STEW MENU (20min). When finished, we take a glass of juice and beat the rest of the fruit to achieve the desired texture. I like to find a piece of fruit, but if you want lighter, you have to beat something else done ...

We put the jam into sterilized jars, and boil the cans in a pot for 20-25min to a vacuum and we can keep for a long time.

Hope you like it as much as us and repitáis a lot of times!

Besitos!

Hydraulic Storage Instructions

Motel Blog # 3 Beware, beware, I warned: we are the same as when we started

Again I yield this space to @ Ricardo_AMASTE because it gives me the real win and he is my friend to post your comments about yesterday, organized by the Department of Culture of the Basque government in Vitoria with the theme "Cultural Enterprises, Creative Industries and Employment Generation." I add some text links to provide more information. The presentations of the speakers who do not appear in this text can be founded in this link.

As soundtrack to a couple of references that often repeated that Ricardo and I agree, signed by a Basque radical rock band of the left known as Eskorbuto: "We Bizkaia rats "(and live on scraps of the culture industry) and " Careful, careful, I warned: we are the same as when we started (and bite the hand that feeds us.)



ECONOMY OF CULTURE VS CREATIVE INDUSTRIES
ENTREPRENEUR ENTREPRENEUR VS VS
COOPERATING AGENCY COMPETE VS
GROWTH-MERGER
AMURRIO VS FLORIDA

Notes on Culture & Employment Week, organized by the Department of Culture of the Basque Government June 14, 2010
Ricardo_AMASTÉ

I know I repeat myself but my only trick is perseverance. So firing the monkey. Here I go with some impressions of memory. Without further ado, a brief summary of what I have given of the day. As always, constructive spirit and not wanting to be unique (or maybe you ... someday I will look at me).

first to acknowledge the effort and intention of the Department of Culture Basque Government and the involvement of lehendakari and lament the absence of Industry and Employment (Patxi, if you really believe this and I think the issue I hope that if she takes the * s responsible for these areas and give them a good slap on the wrist - as bit-).

Secondly remember that culture, regardless of how strategic economic sector and source of employment, is what helps us to transform ourselves, to wonder about us * sa * s themselves individually and as a society (c'mon, all that so Pretty UNESCO declaration). Consider the WHAT. Let us not forget that culture, and an instrument for many things, especially due to be culture, maintaining specificity, its experimental, laboratory ... Because sometimes, it seems that the trees we can not see the forest ...

And from here a battery of questions about what has been said today:

need new organizational models - although this is not a question of culture-specific. And the new models we need, rather than competitive (not want to compete, we COOPERATE) globally (which mania internationalization as possible homogeneous, almost coercive), must be sustainable and based more on fitness than on the productive.

Nor is specific to the culture of creativity. I know of no social, economic, political, that currently do not need creativity to transform (and the need for change is urgent, indispensable). So the term "creative industries" is a truism, for if not, go away.

Moreover, not all people who are dedicated to the culture we want to be industry or company (although obviously we entrepreneurs-have initiative-). As stated in the afternoon, we have a bipolar disorder between belonging to the employer and think that we belong to the union, when in fact we are no longer worth neither related models around work. That does not mean that we are not aware that as cultural brokers, we belong to and are active agents in an economic context (GDP, employment, etc, etc). But the industry is just one of the sectors (secondary), with a long tradition in Euskadi, but can not be totalitarian, tax (among other things is advisable to diversify, because it is less clear that eventually we will be competitive in industrial, at least with regard to production) ... The industrial, business as it looks conditions, behaviors, roles, inertia generates many archaic ... Another problem (or it) is that we do not believe too much of the third sector of the room and not speak. Much

of us * s * s if we do not want to grow and grow, we do not do so using as an employer * s traditional. We do not want to grow individually, or by concentration, but multiply exponentially through agencies and networks. And we need to help us investigate the theory and practice regarding these opportunities, so that as said earlier, defining new organizational models ... I find it significant that always refer to our small size as a problem rather than how a feature-characteristic that can be transformed into strength and opportunity. Tant * s For what we choose to be small * s * s are necessarily wrong? ... To see who is wrong here.

To put it more difficult, some * s not believe in scarcity of talent in the market strategy, or the quest for profit from intellectual property, because we understand the culture as shared knowledge flow. And although many of us * s * s we believe in it at the political level, the "interesting" is that for many doors you want to put the field, with a bit of "luck" that's the model that prevailed in the free end market. So it would be nice to reflect and a commitment from the public, lest we not drawn more by the circumstances (in arbitrary uncertainty have everything to gain by birds of prey neoliberal plan over our heads) ... The commons is there and not (only) an idea of \u200b\u200bcrazy people and romantic.

Landing on specific interventions, my bet trident:
1. Addressing the report which spoke Montse sounded very believable (I have sooo many prejudice to the reports, I love finding examples to think otherwise.) And relativize such magic formulas decontextualized Richard Florida (VS empower its agents to attract local talent.)
2. Guillermo attend Cabinet Youth Initiative and its proposed naive innocent ... (when it comes to economics, serious things, names such as innocent, naive, romantic, take a contemptuous look ... and then leave us, though perhaps this is just my perspective too suspicious).
3. Ptqk attend (not just because I receive her blog) and speaking from personal, since the personal is political and cultural policies are political. And the autoprecarización and the unsustainability of the personal-professional model, BEWARE! [Ricardo referred to this text and that other ]

Perhaps as a counterpoint, I have missed a business-industrial vision powerful, innovative, really serves to relativize my question "certainties" (yes, I know that I am a pretenciosillo). A view not from the technocracy, from management, consulting ... And is that perhaps the real examples of these supposedly desirable large cultural-creative industries, if they exist and are not a mirage, can be counted on the fingers of one hand, do not give of themselves to justify a credible role model and / or are not something to be taught out there beyond the mere consumer-entertainment culture (if it turns out that what we are talking about is Rock in Rio, I I prefer running me down I'm too busy ... and I'm not worth it to build bridges and find points).

Then, almost to end, one thing that I DEEPLY UPSET. Being accused of cultural agents of our dependence on the public, that only aspire to the grant, which do not risk, that we are not very productive ... I wish I knew why they lived and live here for many "strategic" sectors, how are sustainable and productive technology centers (for instance), which is the rate applicable on the market and direct profitability of investment in R + D + i, supported by a high% direct and / or indirectly by the public. I'd settle for that I apply the same standards based on the same conditions (otherwise they are little fair and biased comparisons.) Demand targeted policies (which does not mean segmented by sub-sectors) and specific actions to help us improve on what we want to be and not force us to be what others expect us to be. From the co-responsibility and shared risks, agreed but be careful do not go asking for something then do not go to be able to offer (because we have spent years taking risks and asking for involvement beyond the mere grant). I do not remember the moral is that the pork and chicken and eggs and bacon for breakfast.

And now if the final. You need to change the formats of these events. We must dare to break the rules, you have to play more, you have to foster interaction, exchange and the mixture is to leave the hotels and their stale devices ... If I'm going to make the excuse that this was a first time and such, as well. For the second and not enough for me. Because we talk a lot of creativity, but what is needed is to note that this is done ... Time for Action!

What Is The Harley Saying?

KIWI JAM THAT YOU SHOULD NEVER DO WITH THE MICROWAVE CUSTARD

HELLO EVERYONE! Today

not bring a recipe, I want to leave here this video that I found PEQUERECETAS page and which I find very interesting, because everyone knows that we should not put metal in the microwave, but I personally do not know I could have these effects ... Some "freaks" put an aluminum box full of wine in the microwave and after 4 minutes ... BOOM!

certainly impressed me and I promise that I will be careful not to put anything metal in micro.

Have a nice weekend! Besitos!

Welding Goggles Home Depo

HELLO EVERYONE!

Today I want to show this flan I prepared the other day in a pis pas ... very rich, especially for coffee lovers have a taste for cappuccino ... it makes you want to repeat! The recipe is CLV, Mundorecetas forum. CAPPUCCINO



FLAN INGREDIENTS:

- 1 / 2 pint of whole milk (2 glasses and a half of those of "Nutella")
- 4 eggs.
- 125 gr. sugar (about 8 tablespoons)
- 3-4 heaped tablespoons of cappuccino.
- liquid candy mold.

PREPARATION:

Whisk all ingredients and rolled over caramelized round cake pan. I used Viennese Cappuccino (with chocolate) that was which had at home, but you can use what you like best. We put the water bath until curdled. I did in my pot GM, put 2 cups of water in the basin, a silicone cover on the bottom to avoid damaging it and went inside the tupperware as a pan. Programmed MEAT MENU (25min). When finished let cool in the pan and then refrigerate. Unmold the next day y. .. enjoy! Very fresh in the fridge this vice!

2004 Fishmaster Jon Boat

The law of conservation of violence

I've been avoiding since I arrived in Berlin but in the end it happened without my noticing. There were two factors: one, I am seeking information about T4 disposal program of the "mentally ill" during the rule of the Nazis, two, that a close friend he kept telling me about this documentary that had to do without fail. And it happened: I saw "Shoah." started with the first 2 hours are posted on google video , I became obsessed and I could not quit. If you do not tell it here, my blog would be a little less than mine, a little further from the truth.

"Shoah" is a documentary 9-hour course on the Holocaust, directed by Claude Lanzmann . It rolled for about 11 years and was released in 1985. It contains no footage or soundtrack. The images are composed exclusively of interviews with survivors, witnesses and ex-Nazi officials and as contemporary footage of what remains of the extermination camps of Treblinka, Chelmno and Auschwitz-Birkenau and the Warsaw ghetto. There are no historical accounts or policies, or melodrama or sentimentality, only dry and detailed descriptions of how death was organized on an industrial scale. Trains arriving here, we put in a row here, devestían here, we cut their hair here, entered the gas chambers here, and took out the bodies, put them in ovens Asa, and this with several thousands of people day. It is as slow as it takes for data and data no longer take their proper dimension and that the interpretation (and somehow the final assembly) is formed slowly in your head.

Lanzmann insists that "Shoah" is about the specificity of the "Jewish question", not comparable to any other. However, it is almost impossible to see without your mind go in other directions and do not get to thinking, for example, how the indifference, a feeling very common and very treacherous, developed with frightening ease. Or forgetfulness, that makes us forget that while the holocaust was invented by the Nazis, antisemitism did not (and I step examples that cover centuries of European history) or, as saying on twitter , to condemn Israel no we remember that the weapons with which to attack Palestinian we also sell them. Or the thread about this, remember that soon comes the summer and once there will be hundreds of dead on the shores of southern Europe and many others, the more fortunate, end up in a detention center for immigrants in terms painful life, humiliated, herded and invisible. Indifference, again, and forgetfulness.

While watching "Shoah" I accidentally went through two readings: "Everything Flows" by Vasily Grossman on the crimes of Stalinism, and "Footnotes in Gaza," a comic documentary about Joe Sacco two brutal massacres of Palestinian refugees perpetrated by the Israeli army in 1956. Sometimes, the three works appear to me as a fatal triangle, they ask, are answered, they understand, they misunderstand each other. But most of the time are like a compact block in which I am no longer able to distinguish scenes and evidence: the unimaginable cruelty, people who pisses on it that is stooping to pick up a wounded family and hit a shot in the neck, the smell of corpses in the heat and how well they are preserved in the cold, the survival instinct bordering on madness and guilt of those who did not die, the inability to tell it, the need to forget and again forgetfulness and indifference to make their way. Sacco's drawings may illustrate Lanzmann interviews and these confused with the experiences of those deported to Siberia and these in turn with those of Palestinians killed in the door of his house. The stories of suffering are interchangeable and are repeated in a spiral demonic. And he says Vasily Grossman, the voice of a political prisoner released after Stalin's death:

"There is a simple law: the law of conservation of violence. Simple as the law of conservation of energy. Violence is eternal by much to be done to destroy it does not disappear, not diminished, only transformed. Now take the form of slavery, now Mongol invasion. Jump from one continent to another, it becomes class struggle and class struggle in the struggle of races, now in the material sphere he moved to medieval religiosity, now rails against people of color, now with the writers and artists, but in general on the ground there is always the same amount of violence. "

In the image above: "Topography of Terror. Gestapo, SS and Reich Security Main Office" , catalog of the permanent exhibition on the Holocaust in Berlin, "Footnotes in Gaza" by Joe Sacco (Reservoir Books, Mondadori), "Everything Flows" by Vasily Grossman (Random House Mondadori); "Fuck America" \u200b\u200bEdgar Hilsenrath (the photo is the French edition of Attila, the English edition is Naturae Errata) .